︺*_*︺ '^.^'∩
вторник, 18 июня 2013
Never miss opportunity to miss opportunity (c)
тумблер-юзер Hedgehog-Goulash7 пишет, что встречалась с Дрю Пирсом, сценаристом ШХ3, на Film Fest'е в Лос-Анжелесе в минувшее воскресенье, и они обсудили некоторые делали будущего фильма.
как говориться, хотите - верьте, хотите - нет
I chatted with Drew Pearce, screenwriter of “Iron Man 3” and the upcoming Warner Bros “Sherlock Holmes 3,” at the LA Film Fest earlier today (June 16). Lovely British man, whip-smart and very funny — was such a pleasure to talk with him in person, finally (!), and what better way to get some news about SH3: The Movie than straight from him? I shared with him the concern some fans have expressed that the next movie might simply skip past Holmes and Watson’s post-Reichenbach reunion and move straight on to another adventure (which would, after all, be a totally Hollywood thing to do; hence the concern…).
He knew EXACTLY what I was talking about. (This was following his onstage panel on writing, where he’d spoken about how he and Shane Black managed to focus “Iron Man 3” on Tony’s humanity and emotional trajectory first, and then, incidentally, on the superhero CGI effects and battle scenes…). No, no, he reassures us: “Attention must be paid to Reichenbach, because it is so key to the characters, and we will, don’t worry.” He added that SH3 will be bigger, in a good way, and better, with a lot of surprises.
He said they’ve met about it and there will be many more in-depth discussions coming up. But of course he’s signed to write the next “Mission: Impossible” movie first, and Robert is currently filming “The Judge” and has a few other irons in the fire (so to speak…LOL), so we’re a ways away from SH3 — but not dog years away. It’s coming down the pike, and the creative process has begun. (We’re estimating 2015, though I totally forgot to ask him an ETA…sorry!)
Drew was very happy to hear of the support from the fans and sends his Sherlockian love to all. I think we’re in very good hands, to be honest, and I canNOT be happier or more excited/asdfghjljkl! about his response to the Reichenbach question. I hope to catch up with him after IM4 is done for more updates.
вот и моя коллега PrimaVega про то же пишет:
- в фильме определенно будет показано воссоединение Шерлока и Ватсона после Рейхенбаха.
- на данный момент Дрю Пирс занят написанием сценария к Миссия невыполнима, и после развершения работы над ней пристуит к ШХ3.
- уже состоялись некоторые установочные встречи по поводу будущего сценария и ожидаются еще впереди.
- по итогу можно лишь предположить, что выход фильма стоит ждать в 2015ом году.
robert-downey-jr.diary.ru/p189154078.htm
как говориться, хотите - верьте, хотите - нет
I chatted with Drew Pearce, screenwriter of “Iron Man 3” and the upcoming Warner Bros “Sherlock Holmes 3,” at the LA Film Fest earlier today (June 16). Lovely British man, whip-smart and very funny — was such a pleasure to talk with him in person, finally (!), and what better way to get some news about SH3: The Movie than straight from him? I shared with him the concern some fans have expressed that the next movie might simply skip past Holmes and Watson’s post-Reichenbach reunion and move straight on to another adventure (which would, after all, be a totally Hollywood thing to do; hence the concern…).
He knew EXACTLY what I was talking about. (This was following his onstage panel on writing, where he’d spoken about how he and Shane Black managed to focus “Iron Man 3” on Tony’s humanity and emotional trajectory first, and then, incidentally, on the superhero CGI effects and battle scenes…). No, no, he reassures us: “Attention must be paid to Reichenbach, because it is so key to the characters, and we will, don’t worry.” He added that SH3 will be bigger, in a good way, and better, with a lot of surprises.
He said they’ve met about it and there will be many more in-depth discussions coming up. But of course he’s signed to write the next “Mission: Impossible” movie first, and Robert is currently filming “The Judge” and has a few other irons in the fire (so to speak…LOL), so we’re a ways away from SH3 — but not dog years away. It’s coming down the pike, and the creative process has begun. (We’re estimating 2015, though I totally forgot to ask him an ETA…sorry!)
Drew was very happy to hear of the support from the fans and sends his Sherlockian love to all. I think we’re in very good hands, to be honest, and I canNOT be happier or more excited/asdfghjljkl! about his response to the Reichenbach question. I hope to catch up with him after IM4 is done for more updates.
— Mary (Hedgehog-Goulash7)
вот и моя коллега PrimaVega про то же пишет:- в фильме определенно будет показано воссоединение Шерлока и Ватсона после Рейхенбаха.
- на данный момент Дрю Пирс занят написанием сценария к Миссия невыполнима, и после развершения работы над ней пристуит к ШХ3.
- уже состоялись некоторые установочные встречи по поводу будущего сценария и ожидаются еще впереди.
- по итогу можно лишь предположить, что выход фильма стоит ждать в 2015ом году.
robert-downey-jr.diary.ru/p189154078.htm
среда, 12 июня 2013
Never miss opportunity to miss opportunity (c)
поперто с тумбочки и просто из гугла. авторы разные
жмем на картинку
вторник, 11 июня 2013
Never miss opportunity to miss opportunity (c)
на этот раз во Франции
пост под названием can't unsee it *рыдает*
что за напасть такая
...ну или у него теннисный мячик в кармане
пост под названием can't unsee it *рыдает*
что за напасть такая
...ну или у него теннисный мячик в кармане
суббота, 08 июня 2013
Never miss opportunity to miss opportunity (c)
вообще-то после всех левых акков верится с трудом, но вроде на этот раз не обман.
www.facebook.com/robertdowneyjr
синяя галочка это же как в твиттере - подтверждено, да?
www.facebook.com/robertdowneyjr
синяя галочка это же как в твиттере - подтверждено, да?
воскресенье, 02 июня 2013
Never miss opportunity to miss opportunity (c)
забавно, что с тэга jude law в тумблере можно перейти к тэгам sherlock holmes и robert downey jr
а вот с тэга robert downey jr - только на iron man и tony stark.
весьма показательно, чё...
а вот с тэга robert downey jr - только на iron man и tony stark.
весьма показательно, чё...
Never miss opportunity to miss opportunity (c)
пока нет ничего нового - пересматриваем старое.
Jude: Downey is running around in that bloody suit again. And you know…I can’t get him out of it. He’s flying somewhere over Los Angeles as we speak.
Дауни снова носится в этом уродском костюме. И вы знаете... я не могу его оттуда достать. Когда мы говорили с ним, он летал где-то над Лос-Анжелесом.
+2
утащено у robertdowneyjrandjudelaw
меня, кстати, ужасно прет от мысли, что Джуд смотрит Айрон мэна и Авенджеров.
Jude: Downey is running around in that bloody suit again. And you know…I can’t get him out of it. He’s flying somewhere over Los Angeles as we speak.
Дауни снова носится в этом уродском костюме. И вы знаете... я не могу его оттуда достать. Когда мы говорили с ним, он летал где-то над Лос-Анжелесом.
+2
)утащено у robertdowneyjrandjudelaw
меня, кстати, ужасно прет от мысли, что Джуд смотрит Айрон мэна и Авенджеров.
пятница, 24 мая 2013
Never miss opportunity to miss opportunity (c)
или что-то в этом роде))
хочу прорекламировать тумблер юзера robertdowneyjrandjudelaw
он (или она) занялся коллекционированием видео-материала по нашему ОТП (текст на английском обычно прилагается). не знаю, удастся ли собрать все, но хочется пожелать человеку больших успехов (а рвение уже имеется).
вообще, по большей части, только благодаря этому аккаунту все еще жив тэг rdjude в тумблере.
еще этот юзер родом из Италии любит выкладывать жуткие коллажи своего авторства и постоянно рекламирует свой сайт, посвященный Роберту и Джуду, но это можно пережить
помимо видео имеется некоторое количество фоток и прочего.
хочу прорекламировать тумблер юзера robertdowneyjrandjudelaw
он (или она) занялся коллекционированием видео-материала по нашему ОТП (текст на английском обычно прилагается). не знаю, удастся ли собрать все, но хочется пожелать человеку больших успехов (а рвение уже имеется).
вообще, по большей части, только благодаря этому аккаунту все еще жив тэг rdjude в тумблере.
еще этот юзер родом из Италии любит выкладывать жуткие коллажи своего авторства и постоянно рекламирует свой сайт, посвященный Роберту и Джуду, но это можно пережить
помимо видео имеется некоторое количество фоток и прочего.
среда, 15 мая 2013
Never miss opportunity to miss opportunity (c)
вторник, 14 мая 2013
Never miss opportunity to miss opportunity (c)
Для общего развития, так сказать.
РПС, или Как написать о живом человеке и уйти живым
Итак, начинаем писать РПФ.
Who is Who. Источники знаний.
читать дальше
URL записи
14.05.2013 в 15:00
Пишет [J]Jei Tucker[/J]:РПС, или Как написать о живом человеке и уйти живым
Пишем РПС,
или
Как написать фанфик о живом человеке
и
уйти живым.
или
Как написать фанфик о живом человеке
и
уйти живым.
Итак, начинаем писать РПФ.
Who is Who. Источники знаний.
читать дальше
С уважением, Эрли Джей
URL записи
понедельник, 13 мая 2013
Never miss opportunity to miss opportunity (c)
среда, 01 мая 2013
Never miss opportunity to miss opportunity (c)
в одном отеле.
гении коспирации, чё
Джуд, 27 апреля, Bowery Hotel, Нью Йорк
в качестве отвлекающего маневра Джейк Гиленхал
читать дальше
Роберт, 30 апреля, тот же Bowery Hotel, Нью Йорк
с неопознанным чуваком
читать дальше
на тумблере выразили предположение, что лёд тронулся.
Jude and Robert same hotel!!! we hope in Sherlock Holmes 3!!!
гении коспирации, чё
Джуд, 27 апреля, Bowery Hotel, Нью Йорк
в качестве отвлекающего маневра Джейк Гиленхал
читать дальше
Роберт, 30 апреля, тот же Bowery Hotel, Нью Йорк
с неопознанным чуваком
читать дальше
на тумблере выразили предположение, что лёд тронулся.
Jude and Robert same hotel!!! we hope in Sherlock Holmes 3!!!
вторник, 30 апреля 2013
Never miss opportunity to miss opportunity (c)
30.04.2013 в 13:53
Пишет a-n-n-i:RDJude
Утром читала газету "Метро" и там было интервью с Дауни.
Вот цитата оттуда:
Ну вот недавно говорили с Джудом Лоу, вернее мы чатились и он спросил: "Эй! Что ты сейчас слушаешь?" А я ему: "Нет, что ты сейчас слушаешь?!" Ведь он там в Лондоне должен знать много интересного, а я стараюсь полагаться на мнение друзей.
Ыыыыыы
Они чатятся 
URL записи
пошла поискать подтверждение этого (на английском), и нашла нечто неожиданное!
дело было во время промоушена ШХ-2
читать
воскресенье, 28 апреля 2013
Never miss opportunity to miss opportunity (c)
Название: Нарушители
Автор: Виктория Доран
Рейтинг: R (ой...)
Саммари: Роберт не встречался с Джудом в Лондоне. По-крайней мере, так он сказал...
Автор: Виктория Доран
Рейтинг: R (ой...)
Саммари: Роберт не встречался с Джудом в Лондоне. По-крайней мере, так он сказал...
суббота, 27 апреля 2013
Never miss opportunity to miss opportunity (c)
среда, 24 апреля 2013
Never miss opportunity to miss opportunity (c)
www.bbc.co.uk/news/entertainment-arts-22263566
сорри, видео не вставляется
про ШХ3 начинается с 2:09
ГИФЫ
сорри, видео не вставляется
про ШХ3 начинается с 2:09
ГИФЫ
вторник, 23 апреля 2013
Never miss opportunity to miss opportunity (c)
АПД
перевод: robert-downey-jr.diary.ru/p187436015.htm#form
Полный текст статьи GQ may 2013
Robert Downey Jr. habitually carries with him a miniature brown leather suitcase. If he's rummaging inside it, it's usually for another square of Nicorette gum, but there's all sorts of stuff in there: rattling pill bottles—antiparasitics and antivirals ("Sushi's worth it, but sometimes you've got to clean the bugs out") and some kind of chemical if he happens to eat bread—a dark blue beanie bearing the logo of the security company that guards this Malibu estate, some medallions whose twins I'll later see his wife, Susan, wearing, and a typed letter he recently received from Woody Harrelson onto the back of which he has, perhaps absentmindedly, been pressing chewed globs of gum. There is also—and this is what he removes now from the case to show me—a solid-gold Iron Man helmet head.
Downey holds in his hands the head of the character who set his life on a new trajectory and examines it.
"It is funny, dude," he says. "I do contemplate this thing."
Downey commissioned a jeweler to make a set of these heads as gifts for crew members when Iron Man 3 wrapped, but he kept one for himself and it is now his to ponder at his leisure. "There's some sort of strange message about something in there," he says. "Just about masks, and what people create. I still haven't figured it out. There's no rush."
···
Downey remembers staring at an image of that stoic gleaming helmet, as he tried to work out what it would take to be the man inside it, when he was preparing for his Iron Man audition in 2006. It is easy to forget what a strange place Robert Downey's career was in back then, and not just because of the long trail of upheavals—the drugs, the guns, the arrests, the rehabs, the prison sentences—that could have destroyed it.
For years, whenever Downey appeared on TV, he was routinely introduced as "one of the greatest actors of his generation." (Downey's demeanor on such occasions suggested that such statements expressed a truth so obvious it barely needed repeating.) What was less apparent, until you looked with a cold empirical stare at the whole sweep of his career, was that he was also one of the least successful actors of his generation, almost unbelievably so. The biggest hit he had ever been in was the long-forgotten 1986 Rodney Dangerfield comedy Back to School, which came out when he was 21. After that, no matter what fanfare each new movie arrived with, and no matter how often Downey's own contribution would be highlighted, it was disappointment after disappointment. His two best and most notable performances in those years were in Less Than Zero and Chaplin, but both were commercial flops. When he chose movies so commercial that their success seemed predestined—Air America in 1990 with perhaps the biggest star of that era, Mel Gibson; The Fugitive sequel, U.S. Marshals, in 1998—the rebuke of their failure seemed almost humiliating.
Downey suggests now that he began to see this pattern as a statistical aberration. "The odds were against it," he argues. "Most people, they've been around twenty years or more, just even by accident they were in something that made a ton of dough." But that was the one accident he seemed incapable of getting himself into. At times, he'd wonder if it was worth it. "Some part of me," he says, "and this is maybe some injured part of me, has been looking to say 'I quit! I retire!' since whenever."
Still, in the middle of the past decade things started looking up. He married the film producer Susan Levin, finally seemed to be putting some sustainable distance between himself and his addiction problems, started doing what he considered "solid work with people I liked to work with," and discovered that he was, as he puts it, "incredibly happy." Yet a certain kind of success (the kind, let's be blunt, commonly known just as "success") continued to elude him. In 2005 it happened once again, this time with the comedic noir Kiss Kiss, Bang Bang. This was a particularly tough blow—it was well reviewed, Downey was proud of his part in it, and his wife had produced it. "And then," he remembers, "watching it come out and make eighty-five bucks..."
читать дальше
Chris Heath is a GQ correspondent.
GQ
URL записи
перевод: robert-downey-jr.diary.ru/p187436015.htm#form
21.04.2013 в 20:41
Пишет PrimaVega:Полный текст статьи GQ may 2013
Robert Downey Jr. habitually carries with him a miniature brown leather suitcase. If he's rummaging inside it, it's usually for another square of Nicorette gum, but there's all sorts of stuff in there: rattling pill bottles—antiparasitics and antivirals ("Sushi's worth it, but sometimes you've got to clean the bugs out") and some kind of chemical if he happens to eat bread—a dark blue beanie bearing the logo of the security company that guards this Malibu estate, some medallions whose twins I'll later see his wife, Susan, wearing, and a typed letter he recently received from Woody Harrelson onto the back of which he has, perhaps absentmindedly, been pressing chewed globs of gum. There is also—and this is what he removes now from the case to show me—a solid-gold Iron Man helmet head.
Downey holds in his hands the head of the character who set his life on a new trajectory and examines it.
"It is funny, dude," he says. "I do contemplate this thing."
Downey commissioned a jeweler to make a set of these heads as gifts for crew members when Iron Man 3 wrapped, but he kept one for himself and it is now his to ponder at his leisure. "There's some sort of strange message about something in there," he says. "Just about masks, and what people create. I still haven't figured it out. There's no rush."
···
Downey remembers staring at an image of that stoic gleaming helmet, as he tried to work out what it would take to be the man inside it, when he was preparing for his Iron Man audition in 2006. It is easy to forget what a strange place Robert Downey's career was in back then, and not just because of the long trail of upheavals—the drugs, the guns, the arrests, the rehabs, the prison sentences—that could have destroyed it.
For years, whenever Downey appeared on TV, he was routinely introduced as "one of the greatest actors of his generation." (Downey's demeanor on such occasions suggested that such statements expressed a truth so obvious it barely needed repeating.) What was less apparent, until you looked with a cold empirical stare at the whole sweep of his career, was that he was also one of the least successful actors of his generation, almost unbelievably so. The biggest hit he had ever been in was the long-forgotten 1986 Rodney Dangerfield comedy Back to School, which came out when he was 21. After that, no matter what fanfare each new movie arrived with, and no matter how often Downey's own contribution would be highlighted, it was disappointment after disappointment. His two best and most notable performances in those years were in Less Than Zero and Chaplin, but both were commercial flops. When he chose movies so commercial that their success seemed predestined—Air America in 1990 with perhaps the biggest star of that era, Mel Gibson; The Fugitive sequel, U.S. Marshals, in 1998—the rebuke of their failure seemed almost humiliating.
Downey suggests now that he began to see this pattern as a statistical aberration. "The odds were against it," he argues. "Most people, they've been around twenty years or more, just even by accident they were in something that made a ton of dough." But that was the one accident he seemed incapable of getting himself into. At times, he'd wonder if it was worth it. "Some part of me," he says, "and this is maybe some injured part of me, has been looking to say 'I quit! I retire!' since whenever."
Still, in the middle of the past decade things started looking up. He married the film producer Susan Levin, finally seemed to be putting some sustainable distance between himself and his addiction problems, started doing what he considered "solid work with people I liked to work with," and discovered that he was, as he puts it, "incredibly happy." Yet a certain kind of success (the kind, let's be blunt, commonly known just as "success") continued to elude him. In 2005 it happened once again, this time with the comedic noir Kiss Kiss, Bang Bang. This was a particularly tough blow—it was well reviewed, Downey was proud of his part in it, and his wife had produced it. "And then," he remembers, "watching it come out and make eighty-five bucks..."
читать дальше
Chris Heath is a GQ correspondent.
GQ
URL записи